My little sister, Margo, loves birds. We have fun as a family watching them in our backyard. So many varieties to admire! She loves to try to imitate them, so I wasn't surprised when she came home from the Ashpot Library with Mango, Abuela, and Me by Meg Medina. I'm sure the bird on the cover caught her eye.
In this
book, Mia’s grandmother comes to live with them in the city. They’ll be sharing
a bedroom, but they have trouble communicating. Mia doesn’t know how to say what
she wants to say in Spanish, and her grandmother (abuela) doesn’t know many
words in English. They begin doing little things every day to help them talk to
each other. When they’re cooking, the grandmother will say the Spanish word for
an ingredient and Mia repeats it, and then says the English word for each item.
When Mia remembers what her class did to help a new student who was learning
English, she puts words on top of objects all around the apartment so her
grandmother will know how to say them in English. To make her grandmother feel more
comfortable, Mia asks her mom to buy a parrot so her grandmother will be
reminded of the one in her garden back at her old home. The parrot is a wonder
and repeats words it hears Abuela and Mia say to each other. Another way for
the two to learn to understand each other!
This
was a fun story that will help people learn some words/phrases in
Spanish or English. The illustrations are bright
and interesting. Even more exciting- Margo and I learned some Spanish words!
Has
anyone else read Mango, Abuela, and Me? Or have you read another book by Meg
Medina? We’d love to hear your thoughts.
Excellent guessing, Riddlers! A tricky riddle this week. Friday, Margo has a children's picture book she wants me to tell you about, so stay tuned! See you all around the book block. ; ) ~ F
Follow eight easy steps, and you'll know the deal. First, you must want to share what you feel. Second, cast spells into code. Third, transpose them for upload. Fourth, tune into the right vibe. Fifth, watch out for morpheme jive. Six, reception will prevail. Seven, decipher symbol tale. Eight, meaning is transferred. Congratulations! You've conjured thought into word. What am I referring to? Answer: Communication!
Hello, Riddlers! It's good to be back. Can you guess our theme this week? This is a useful tool to uncover the bare bones of a matter, but mysterious when tangled up in its roots. ; ) ~ F Follow eight easy steps, and you'll know the deal. First, you must want to share what you feel. Second, cast spells into code. Third, transpose them for upload. Fourth, tune into the right vibe. Fifth, watch out for morpheme jive. Six, reception will prevail. Seven, decipher symbol tale. Eight, meaning is transferred. Congratulations! You've conjured thought into word. What am I referring to? Stop by Wednesday for the answer.
Hello, Readers! We're on Spring Break this week. Fairday's Riddlesand Lizzy's Book Reviewwill be back. Writing riddlesand book reviews keeps our skills sharp, but so does using visualization to develop story ideas. Find out how our process works, and experience the magic of a pencil! ~ DMS
Stories have the power to transport readers into another world, but books aren't written by magic. Lines crafted by hands, head, and heart are at the core of the spell.
Neil Gaiman
A quote I like to share with students I talk to about the Fairday Morrow series is from one of my favorite authors, Neil Gaiman. He says, "Whatever you do, make good art."
This resonates with me, because as creators making art is our main business. Everything is art, and it's subjective, so all art is good.
Enjoying the process of your work is the key to connecting with the world around you.
The most important step in being creative is to square off a space in your life to do it. It sounds easy, but it's not. Every single thing will try to stop you. But, if you want to take your project seriously, you must toss aside external distractions and sink into your work.
Me drawing myself drawing myself on my deck at home.
Brilliant Artists
If your goal is to be a professional illustrator, then it's important to follow the guidelines of industry leaders who have a solid understanding of the techniques and tools used to develop visual images. In this case, you'll need to listen and learn to pursue your passion and build a portfolio for your artwork.
Illustrators Who Inspire Me
Disrespectful Summons
Edward Gorey Edward Gorey House ________________________________________
I am not an illustrator by any means. I have no professional training and I don't know much about the ins and outs of the art business. Being on the other side as an author, I know it's a challenging career choice, and I'm inspired by illustrators with the tenacity to work in this field. I also feel they don't get enough credit for their contribution to story magic. It's tough to get lines perfect with words, but really tricky with pencils and paint brushes.
In meditative drawing there are no rules, and nothing you need to learn. It's about being you. I have my own weird rituals that go along with my practice, and if you plan to try this, you should make some up too. Once you're in your quiet spot, take a deep breath, let go, and tune into your internal vibes.
I enjoy lighting tea lights, setting up crystals, and smelling sage. These things play a part in my drawing sessions. I used to listen to music, but now it's mostly nature sounds.
Here's a soundtrack I enjoy.
lol, I am old timey. :)
Toolkit for Meditative Drawing 1. Fresh Ticonderoga #2 pencils 2. Drawing board & paper 3. Awesome pencil sharpener 4. Good vibes and headphones 5. Wild imagination
There are two types of drawing techniques I use. The first is what I call a disciplined drawing. This art is thought out and planned to visualize a scene in a story I'm writing. With this approach, I'm trying to make my lines neat and precise, without too much erasing. Though, as I develop my personal style, I have been incorporating more of the second technique I use, which involves the eraser on a higher level. I'll get into that mysterious part later.
The Morrow family moves into the Begonia House.
When Stephanie and I discuss a new chapter in the Fairday Morrow series, I'll take ideas from our conversation and patch them together to create a scene on paper. I'm only drawing for myself and Stephanie, so there's no pressure. Once you stop being concerned about whether or not someone likes your work, it only matters if you're satisfied with it, and that's why meditative drawing is freeing.
Ruby Begonia sees what the high-heeled sneakers can do.
Nooks and crannies of the story are revealed when I sketch out our ideas. The drawing may even change the structure of a chapter, depending on who or what pops into the picture.
Mysterious box of things in the secret third floor room.
We use talking about our ideas, and then looking at the drawings as a way to visualize stories we write together. I ended up illustrating every chapter in The Secret Files of Fairday Morrow and most for Fairday Morrow and the Talking Library.
Lizzy arrives at the Begonia House in style.
The Fairday Morrow books have amazing professional illustrators, but my artwork was a unique part of our journey. I enjoy the process, and I'll continue to illustrate the next books in the series.
We made vanity copies of The Secret Files of Fairday Morrow with my drawings. It was fun, and it's cool to have one of these very limited editions, though I would NOT want anyone to read it now. Words wrangled in line by professional editors are an important element in casting story spells.
Fairday Morrow Books
The Secret Files of Fairday Morrow illustrator, Roman Muradov
Fairday Morrow and the Talking Library illustrator, David SanAngelo
The second drawing technique I use is undisciplined and more about erasing. This style came about when I was in elementary school. The art teacher critiqued a drawing I was working on in class.
He came up behind me, leaned over my artwork, and said, "A real artist never erases."
These words had a huge impact on me. What could that mean? Firstly, why would there be erasers on the end of pencils if you weren't supposed to use them. And, secondly, who was he to define a real artist? I started using the eraser to reveal the picture. With this type of illustration, it's the opposite of thinking about scenes in a story and drawing them. Instead, the story develops through the space where I erase the lines. I never have a clue what will emerge on the paper, and sometimes a new idea is born.
I have many stories that have evolved from this method; projects I pick away at. Here's a journey into a long time WIP. The characters and setting are complex and continue to expand. Different elements come about in every illustration. I do think the characters are excited to live through the blank pages. Time is of no essence in meditative drawing. It's true! You should try it. 😀
Night Garden
Cottage #5
Sisters Eye Spell
Layers of Living Lines- See Shores of Seamessica
~ Go with the Flow ~
Stephanie and Jess teach a writing workshop on using visualization as a tool to inspire stories, as well as incorporate this aspect of their experience into a presentation about crafting a mystery. If you're interested in booking an event with the authors, visit: fairdaysfiles.com
Stephanie Robinson & Jessica Haight
Here's the Sketchy Scoop on Pencils
To view more of Jess's Illustrations, click here and scroll down past this video.
Thanks for hosting Pete and Weasel on your amazing blog. We’re excited to be here. I thought I’d tell your readers why I set this story where I did, and what I found out while writing Some Very Messy Medieval Magic (SVMMM).
I love history, so sending Pete and Weasel off to the past was sheer joy for me. I chose 1173 because I’d been reading about Richard I, and he fascinated me. In SVMMM, he’s still young and not the king yet. In fact, he’s off to France to join his brothers in a plot to overthrow his father, King Henry II.
The more I learned about Richard, the more I had fun writing a “highly fictional” account of Pete and Weasel interacting with him.
Here are two facts about him:
1. He didn’t care much for England. He only spoke French and adopted their customs and manners. Well, Eleanor of Aquitaine was his mom and English was the commoner’s language, but since I couldn’t write the book in French, I took the liberty of making Richard bi-lingual. 2. He loved to hunt and he loved to sing. From all accounts, he had an excellent voice. He became a knight and later a warrior during the Crusades where his volatile nature didn’t show off the supposedly “gentler virtues” of a knight. He did seem to charge into battle a lot, so that’s why he was called Coeur de Lion, the Lion-Hearted. The descriptions I read were that he was “tall, well built and with hair mid-way between red and yellow.” He must have been quite an interesting guy.
Castle Beynac
I’d just finished this story when friends asked me to go with them to France, and guess what? I wound up in castle Beynac where Richard spent some time. The wall around castle and the fireplace in the main hall were the way I’d imagined. The scullery, too. Then when I found the “toilet” I was so pleased to find it matched my description to a T!
I love first-hand research so much better than what I do online, and when I see the real thing and it supports all that I’ve read, I jump up and down and clap my hands.
I hope readers will enjoy the time travel back to 1173 and the characters that are very loosely based on people of that time. Of course, I had to have a witch or two, after all without those witches, I would never have started this series.
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