Wendell Minor |
David SanAngelo Interviews Wendell Minor
Whether you are looking at an illustration of an otter or an
astronaut you know from the composition, palette, and brushwork that it could have
only been created by Wendell Minor. I have been a fan of Mr. Minor's
work for years and so it was an unbelievable gift for me to assist with this interview.
David SanAngelo |
David: Your work has
extensive range, however, there appears to be three
reoccurring themes: Wildlife, American
history and American farmlands. Is
there a subject matter you would love to illustrate that you haven't yet?
Wendell: The three themes that you mentioned have infinite
possibilities, and with wildlife and American biography the list is endless.
That said, I like to seek out subjects that need attention and have not yet
received their due, so any animal or period of American history, or persons
lesser known in history would appeal to me.
David: What are a few of your most favorite works and why?
Wendell: At the moment, Edward Hopper Paints His World and one of my early books, Heartland would make the list. Heartland presents a regional quality to the look of the art, very much the way Edward Hopper viewed Cape Cod and New York City, however, I must say that beyond that, it’s really hard to choose. Basically, I have enjoyed doing all my books.
David: If you could illustrate for an author you haven't had the opportunity to work with yet, who would it be?
Wendell: That’s an easy answer for me. It would be historian David McCullough. As you probably know, I have designed and illustrated most of his book jackets over the years, but the one thing David hasn’t done yet is write a manuscript for a picture book. Maybe someday that will happen.
David: What stage of your process is your favorite/ least favorite?
Wendell: I have to say that the ongoing treasure hunt for reference material for each project is my favorite. It’s a process of discovery that often leads to other ideas for future books. My least favorite stage of the process is judging when a piece is actually finished. Sometimes paintings seem to go on forever, and when I get a sense that my head is about to explode and I know I can’t go any further...that’s when I know a painting is finished.
David: What do you feel is the biggest difference in the publishing business now from when you first began your career?
Wendell: The clear difference is that many publishing houses used to be independently owned; now virtually all imprints have been absorbed into corporate publishing. The competition for a children’s book author or illustrator is ten times more intense than it once was. It seems that every year the portal narrows a bit. That means that more than ever, one has to be on top of their craft and be able to shift gears creatively to move forward.
David: If Norman Rockwell, J.C. Leyendecker and N.C. Wyeth all had showings of their work at the exact same time which one would you attend?
Wendell: That is an unfair question! But, depending on where the openings were I’d run to each of them. N.C. Wyeth has been a favorite of mine for many years and J.C. Leyendecker was an inspiration to the young Norman Rockwell when he was developing his style. The artist I would most like to meet, however, would be Norman Rockwell.
David: You've done quite a bit of traveling to study your subject matter. Of all the places you've traveled to and remarkable things you've seen, where would you first recommend someone to visit to feel absolutely spellbound?
Wendell: There are two places I would recommend, and for contrasting reasons. Everyone should visit the Grand Canyon at least once in their lives. It is one of the wonders of nature and puts life into perspective due to the scale of the human vs the scale of the Canyon. It is beyond description.
It was an honor hosting this feature interview with these two wonderful artists. Bringing together worlds connects us all, and it's been fascinating to learn about Wendell Minor.
We've been big fans of David SanAngelo and his artwork since we attended high school together. It was amazing having him as our illustrator for Fairday Morrow and the Talking Library, and it's our pleasure to spotlight his work.
David: What are a few of your most favorite works and why?
Wendell: At the moment, Edward Hopper Paints His World and one of my early books, Heartland would make the list. Heartland presents a regional quality to the look of the art, very much the way Edward Hopper viewed Cape Cod and New York City, however, I must say that beyond that, it’s really hard to choose. Basically, I have enjoyed doing all my books.
David: If you could illustrate for an author you haven't had the opportunity to work with yet, who would it be?
Wendell: That’s an easy answer for me. It would be historian David McCullough. As you probably know, I have designed and illustrated most of his book jackets over the years, but the one thing David hasn’t done yet is write a manuscript for a picture book. Maybe someday that will happen.
David: What stage of your process is your favorite/ least favorite?
Wendell: I have to say that the ongoing treasure hunt for reference material for each project is my favorite. It’s a process of discovery that often leads to other ideas for future books. My least favorite stage of the process is judging when a piece is actually finished. Sometimes paintings seem to go on forever, and when I get a sense that my head is about to explode and I know I can’t go any further...that’s when I know a painting is finished.
David: What do you feel is the biggest difference in the publishing business now from when you first began your career?
Wendell: The clear difference is that many publishing houses used to be independently owned; now virtually all imprints have been absorbed into corporate publishing. The competition for a children’s book author or illustrator is ten times more intense than it once was. It seems that every year the portal narrows a bit. That means that more than ever, one has to be on top of their craft and be able to shift gears creatively to move forward.
David: If Norman Rockwell, J.C. Leyendecker and N.C. Wyeth all had showings of their work at the exact same time which one would you attend?
Wendell: That is an unfair question! But, depending on where the openings were I’d run to each of them. N.C. Wyeth has been a favorite of mine for many years and J.C. Leyendecker was an inspiration to the young Norman Rockwell when he was developing his style. The artist I would most like to meet, however, would be Norman Rockwell.
David: You've done quite a bit of traveling to study your subject matter. Of all the places you've traveled to and remarkable things you've seen, where would you first recommend someone to visit to feel absolutely spellbound?
Wendell: There are two places I would recommend, and for contrasting reasons. Everyone should visit the Grand Canyon at least once in their lives. It is one of the wonders of nature and puts life into perspective due to the scale of the human vs the scale of the Canyon. It is beyond description.
The other place is Barrow, Alaska, which I love for a
completely different reason. In Barrow, one can see virtually forever in any
direction across the frozen ocean. The town of Barrow itself, is as close as
one can get to a 21st Century frontier town. It takes true grit to live there,
but it’s worth it.
David: Outside of
illustrating, what do you enjoy?
Wendell: Plein-air painting is a favorite pastime of mine, along with
reading biographies and American history books. And last, but certainly not
least is spending lots of time with my wife Florence, at home with our cat,
Cinder, when Florence and I are not traveling though this beautiful country of
ours.
Wendell Minor is nationally known for the artwork he has created for over fifty award-winning children’s books. His many collaborators include Jean Craighead George, Robert Burleigh, Buzz Aldrin, Tony Johnston, Mary Higgins Clark, and last but not least, his wife Florence. In 2009 Wendell and Florence’s If You Were a Penguin, was chosen by Pennsylvania for their “One Book, Every Young Child” 2009 early literacy program, and they enjoyed the month they spent speaking to children in Pennsylvania’s libraries, schools, Head Start facilities, and Museums.
David SanAngelo is an award winning illustrator, a two-time Emmy nominated director
of animated shows for children and he won a kite flying contest in the fourth
grade. Dave attended high school with Jessica and Stephanie and they've all
been friends for a billion years. Some of Dave's favorite things are: old monster
movies, superheroes and shred-a-licious rock music. Although he grew up in New
England, Dave currently lives with his wife and sons in Decatur, GA.
Jessica Haight & Stephanie Robinson |
It was an honor hosting this feature interview with these two wonderful artists. Bringing together worlds connects us all, and it's been fascinating to learn about Wendell Minor.
We've been big fans of David SanAngelo and his artwork since we attended high school together. It was amazing having him as our illustrator for Fairday Morrow and the Talking Library, and it's our pleasure to spotlight his work.
Unhittable |
Dragons Bridge |
Scene from Fairday Morrow and the Talking Library Cover art for Fairday Morrow and the Talking Library |
Wonderful illustrations, he has huge buckets of talent. Thanks for sharing the interview, hugs, Valerie
ReplyDeleteValerie- So glad you enjoyed the post. Always love looking at artwork. :)
DeleteAwesome illustrations indeed. Can't go wrong with research and getting more ideas.
ReplyDeletePat- We agree! :)
Deletelove ithe illustrations! Nice!
ReplyDeleteGloria- Aren't they amazing? :)
DeleteWow. These guys are great talents. More books for my TBR list. Thanks for the interesting post.
ReplyDeleteRosi- We think Dave and Wendell are fabulous. So much to enjoy in their pieces. Glad you enjoyed the post! :)
DeleteWhat a facinating interview. And amazing talents.
ReplyDeleteEC- We loved the interview too. So much to learn. Wendell and Dave have incredible talent. :)
Deletethat must be one of the most delightful jobs in publishing
ReplyDeleteDezmond- We agree!
DeleteGorgeous illustrations, love the owl!
ReplyDeleteBrenda- The details in the owl are amazing!
DeleteWow! I loved the illustrations. Amazing talents.
ReplyDeleteNas- So glad you enjoyed them! :)
DeleteWhat absolutely wonderful artwork. I really enjoyed this post and interview.
ReplyDeleteThanks, Sandra! So happy you enjoyed learning more about Wendell Minor and David SanAngelo. :)
DeleteGreat interview! Great artwork!! Thank you!!! Truly enjoyed! Big Hugs!
ReplyDeleteMagic Love Crow- We are thrilled you enjoyed it. We loved hearing Wendell's answers. :)
DeleteAwesome interview post lovely :D And eee, all of these illustrations are so so lovely. <3
ReplyDeleteCarina- Glad you enjoyed the post and illustrations. :)
DeleteHi Stephanie and Jess - what a wonderfully interesting post - loved meeting the two artists ... so talented and making the best of their lives.
ReplyDeleteI'd love to visit the Grand Canyon: perhaps I can on the way home ... and then Barrow - that must be an extraordinary place to visit .... Amazing art work - creative too ... good luck to you all - cheers Hilary
Hilary- We are so happy you enjoyed this post and learning about Dave and Wendell. I hope you get to the Grand Canyon. I have been twice and it really is out of this world. Pictures don't do it justice. :) ~Stephanie
DeleteI can agree that it must be especially hard to know when a work is finished. I find that when it comes to writing, but then with art as well it cannot be easy. I love how much he really enjoys the act of research and bringing to light topics which don't get much attention. That's so commendable.
ReplyDeleteOlivia- We thought it was interesting that it is hard to know when we are done with writing- and that illustrators and artists feel the same way. :)
DeleteHeidi- We are so happy you enjoyed looking at the pieces. :)
ReplyDelete